Hochschule für Gestaltung Karlsruhe (HfG Karlsruhe), Germany

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​Zürcher Hochschule der Künste (ZHdK), Switzerland

Lecturer at Université Populaire Européenne

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• Studied Fine Arts and Art History

• Specialized in the art of illumination (Enluminure)

• Official member of Ateliers d’Art de France and FREMAA (Fédération des Métiers d’Art d’Alsace).

• Author of Techniques de l’enluminure (published in 2007).

• Lecturer at Université Populaire Européenne, promoting traditional artistic techniques.

• Exhibited at prestigious venues such as Parc Expo Strasbourg and Cité des Métiers d’Art d’Andlau.

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• 2023｜Lecturer at the Faculty of Arts, University of Strasbourg, teaching Methodology of Art Analysis and Representation of Space and Volume

• 2015–2018｜Master’s degree in Theory and Research in Fine Arts (Master Théorie & Recherche Arts Plastiques, Université de Strasbourg)

• 2012–2015｜Bachelor’s degree in Visual Arts (Licence Arts Visuels, Université de Strasbourg)

• 2015｜Contributed to the Russian-French translation of theoretical texts for the contemporary art exhibition Radom Memory Machine at Appolonia, Strasbourg

• 2007–2009｜Studied Fine and Decorative Arts at the Faculty of Arts and Pedagogy, University of Rivne, Ukraine

• 2017–Present｜PhD candidate in Visual Arts, Université de Strasbourg
  (Research focus: Light imprint and the notion of truth in the digital age)

• 2015–2017｜Master's degree in Critique-Essais, Contemporary Art Writings, Université de Strasbourg

• 2012–2015｜Bachelor’s degree in Visual Arts, Université de Strasbourg

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Experience

• Lecturer in Visual Arts at Université de Strasbourg since 2018, teaching Contemporary Art History, Photography, and Art Theory.

• Presented research in photography and contemporary art at various conferences, including:

  • Poussière et création (Université Paris 8)

  • De l’archaïque au numérique (Université de Strasbourg)

  • Ecologies visuelles (Université de Strasbourg)

• Organized and coordinated doctoral study days and academic events such as:

  • La thèse en arts: enjeux, méthodologies et spécificités (2023)

  • Culture visuelle du spectre (2023)

• Doctoral representative at UR 3402 ACCRA Research Group, Université de Strasbourg.

• 2021｜Presented a paper (in English) at the Graduate Student Symposium in Art History and Visual Culture, National Central University, Taiwan

• 2022–Present｜Writer for the "After the List" Artist Story Project and the Taifuten Database at the Chen Cheng-po Cultural Foundation

• 2017｜Master of Music, Violin Performance, Peabody Institute of the Johns Hopkins University (background information)

• 2017｜Bachelor of Arts in Art History, magna cum laude, University of Southern California

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Paper Presentation

• "The Mystery in What My Eyes Have Seen" (presented in English), Art History and Visual Culture Graduate Student Symposium, National Central University, Taoyuan, November 13, 2021

Research Interests

• Modern and contemporary art

• Comparative study of visual and time-based arts

• Intersection of Eastern and Western art history

• Previously worked at Yiri Arts and NUNU FINE ART